Sundai, Edo

Already on the fifth of this series, it is a really enjoyable pastime and creative endeavor. Sundai, Edo (東都駿台, Tōto sundai) seems to be a nondescript picture of a road with travelers, a big pine tree and mount Fuji in the background. While I would love to say it is so much more, sometimes a road is just that. Making more of it would be wrong.

The biggest challenge in this piece is that every color used, touches on of the other colors. There is no escaping drying time per color and care should be taken to indeed fill all the spots where a color is to be used to prevent more drying time.

The paint used is a 36 color palette Mijello Mission Gold, a very nice shaped box that comes with small tubes that you can fill in the palette yourself. Gives you a nice case of the IKEA effect but aside from that the paints are really good. Activate really easy and give a very smooth, even layer of paint. My main gripe about this palette is the high amount of mixed colors but the St. Petersburg paint did worse in that regard.

For the trees I used Hookers Green and that worked out way better than expected. A downside of very fine paint is that to get it to shade well, you cannot escape glazing. With this green however, the paint was heavy enough to stay in place when applied in larger amounts but still giving a smooth gradient.

For the yellow I used Yellow Ocher as I found the other yellows in the palette far too artificial. While it has a tendency to dominate it is balanced out by the green, making this an even work.

Author: Koen

human, putting down lines, splashing pigment on page, exist.