Last week on the internet a challenge was made to use a bad reference picture and make that into your art. These are my results.
Some time ago I got the book “Watercolour with Love: 50 modern motifs to paint in 5 easy steps” from the library, I just asked for all books that had “Watercolour” in the title and this came in the pile. Most of these books I just leafed through but this one seemed doable so I grabbed an HB5 Khadi cotton rag paper book I had lying around and went to work. It took me close to two months and ended up with 48 watercolor paintings. Filling a sketchbook with simple paintings is a satisfying thing to do.
Again in the series of meh-pril where I draw simple stuff to keep going, this is a little success I wanted to share.
As part of the Haarlemmermeer spoorlijnen, this station was build in 1915 and operated for 35 years as part of a steam train network for passengers and up until 1970 for cargo.
The super fast painting took no more than 30 minutes including sketch, ink and paint.
The building has a special place in my heart as we held our wedding reception there.
For the 12th of Mehpril the prompt was to draw a car and the quintessential car is the Ford Model T. It came out so nice for a simple drawing of a car, it was rewarded with a post here.
On the 1st of April 2001 the Netherlands legalized same-sex marriage as the first country in modern history. This calls for a rainbow.
For this post, I tried to summarize the wikipedia article and gave up, just follow the link to go there, it is an interesting read.
With this seventh piece, a milestone is met. I drew my first horse and to be honest, it took me almost two weeks to force myself to work on it, not just the horse but the entire piece is something. There are many little details that make this composition work.
Not only the big horse stands out but also the fence in the middle right, the fisher man and his companion, everything is touched by trees and many of the colors are multi layered.
For me the highlight of 武州千住 (Bushū Senju) came in the form of the two distant trees in the middle, rising up from the underbrush. Mount Fuji here plays no role at all, other than reminding us that this is indeed part 7 of 36 views of Mount Fuji.
This is the sixth piece I did for the 36+10 Views of Mount Fuji series and I must admit it grew on me. The ones I did so far were obviously special to me, for a wide variety of reasons. The “Cushion Pine at Aoyama” ( 青山円座松 Aoyama enza-no-matsu) initially did nothing for me.
Only when I was putting down the color, it became clear this is a very well balanced piece of work. Keep in mind that Japanese writing goes from right to left.
The flow of this piece will naturally go from the people in the bottom right over the high end of the pine trees up to Mt. Fuji and then back down to the houses hidden away behind mist and trees. The horizontal clouds cut the field of view flat through the middle where everything below it is obviously close and that above it is obviously far.
Then from the houses flows the bottom open space back past the shrine to the people where a lot of details make an interesting scene. With the mountain as the biggest part of this piece and right in the middle of the paper, it plays only a background role to the traveller’s picnic and the father walking his child.
Finally, the mist line acts as a mirror across the paper, the trees go down where the mountain goes up forming an elegant negative of each other. The soft background of very light pink in the low mist, the light shading of the mountain and the strong Prussian blue in the high and low sky makes this piece a very special work.